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Fear City

Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One here. What REDEMPTION? “I’m just here to raise the flag of compassion and forgiveness, in a society that’s being overrun by hatred and violence.” Weekends in Manhattan, looking over your shoulder, anonymous among millions and feeling free for the first time, the escape continues. Getting high in Washington Square. Walking east over…  Goblin Infantry - Oathmark Fantasy Usable in Warlords of Erehwon Games New

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Asia Kate Dillon is a true trailblazer. They are the first non-binary (gender non-conforming) actor to play a non-binary character on a television show (Taylor on Showtime’s Billions). That itself is noteworthy, but Dillon also happens to be an amazing actor who brings such depth and life to characters, making representation even more powerful. Now, In John Wick: Chapter 3, Dillon calmly commands attention as a mysterious character called The Adjudicator. Dillon talks about sliding into that role and what it takes to slide out of a role like Brady, the skinhead inmate, in Orange Is The New Black, plus their longing to do a musical and much more! Back To One can be found wherever you get your podcasts,…  Good Tidings gold Vintage Doe Christmas Lawn Decoration

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Tribeca 2019 Critic’s Notebook: Coming(s) of Age

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Abel Ferrara in Driller Killer

Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series. Nobody’s CLEAN New York became our only school and we made that trip by train or else in Nicky’s black house painted VW a 1000 times… Seeing Kazan arguing with Nicholas Ray on a street corner… always ending on the Lower East Side, where five years or so later I saw Mean Streets and The Conformist…  Graham Farish - 371-024 - Class 08 Diesel Shunter - DB Schenker Red

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Filmmaking

The 24 Films (More or Less) Shot on 35mm Released in 2018

For five years, I’ve been rounding up the previous year’s US theatrical releases of films shot, in whole or significant part, on 35mm—yes, this year’s tally is lower than any of my previous totals. The total number is unlikely to soar above 40 anytime in…  Read more

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Apr 24, 2019

 

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